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Liszt - Dante Symphony . Dante Sonata - NAXOS - 8.570516 |
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Liszt - A Trilogy DYNAMIC - CDS 227/1-3 |
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Liszt - Schubert Song Transcriptions DYNAMIC - CDS 73 |
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Mozart and Rossini Paraphrases DYNAMIC - CDS 108 |
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Reminiscenses de Don Juan demo
Lacrymosa, from Mozart's Requiem
La Serenata e L'orgia, grande fantaisie sur des motifs des Soirées Musicales de Rossini
La Gita in Gondola, soirée musicale No. 4
La Pastorella dell'Alpi e Li marinari, 2ème fantaisie sur les Soirées Musicales de Rossini
Fantaisie über zwei Motive aus Mozart's Figaro
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In his youthful Paraphrases, Liszt foreshadows the realization of extended one-movement forms and also of the thematic metamorphoses typical of his mature style. Bresciani singles out two different types of paraphrase in the two fantasias on Rossini and in the more complex fantasias on Mozart. He juxtaposes these and completes the recording with a rarely heard piece, the Lacrimosa from Mozarts Requiem.
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Weimar Works DYNAMIC - CDS 183 |
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demo Scherzo und Marsch
Ballade No. 2
Grosses Konzertsolo
Après une lecture du Dante
Fantasia quasi Sonata
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In 1847 Liszt finally gave up his career as a concert pianist in order to dedicate himself to composition and to the realization his own idea of a new musical language. In the following year he settled down in Weimar as Kapellmeister of the Court Theatre and began to compose his most important symphonic works and piano compositions, which became known as works of the Weimar period. While the Sonata is the most well-known piano work of this period, it was accompanied by other equally noteworthy pieces, which help us to understand what Liszt achieved during this period in his work on sonata form. These works, which form a group of four titles, are recorded on Brescianis third CD devoted to Liszts works.
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Listz - A Faust Symphony - two piano version |
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Vittorio Bresciani & Tiziano Poli - NUOVA ERA - CD 7284 |
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